1929
Stoplist
37 stops, 32 independent voices, 41 ranks, 2286 pipes

Great, Manual I

Prestant 16′, façade
Octave 8′
Salicional 8′
Flûte harmonique 8′
Bourdon 8′
Octave 4′
Superoctave 2′
Progressive Mixture II-VI
Full Mixture VI
Cornet V (G0–f3)
Trompette 8′
Swell, Manual III, Enclosed

Quintaton 16′
Viole de Gambe 8′
Voix céleste 8′ (C0)
Flûte traversière 8′
Flûte octaviante 4′
Octavin 2′
Basson 16′
Trompette 8′
Hautbois 8′
Clairon 4
Choir, Manual II, Enclosed

Principal 8′
Spire Flute 8′
Gedackt 8′
Octave 4′
Hohlflöte 4′
Nasard 2 2/3′
Doublette 2′
Tierce 1 3/5′
Plein Jeu V
Clarinette 8′
Pedal, 32 Notes

Gravissima 32′
Contrebasse 16′
Prestant 16′, from Great
Soubasse 16′
Octave 8′
Bourdon 8′, from 16′
Octave 4′, from 8′
Posaune 16′
Trommet 8′, from 16′
Stops in italics are
prepared for later expansion

Couplers And Accessories
Choir to Great
Swell to Great
Swell to Choir
Great to Pedal
Choir to Pedal
Swell to Pedal
Swell to Pedal 4′
Choir Tremulant
Swell Tremulant
Flexible Wind Knob
Balanced Choir and Swell Pedals
Casework
A single cabinet of wood, designed to harmonize with and adorn the church interior.
Keydesk
Attached to case, three manuals and pedals; manuals 61 keys CC–c4, naturals of grenadil, sharps of rosewood capped with cowbone; Fisk pedalboard 32 keys CC–g1, mildly concave with radiating sharps.
Key Action
Mechanical, except certain large bass pipes (electropneumatic).